Enga Area Ulla Varathey

The director of ‘Run’, ‘Sandai Kozhi’ etc. is back with another racy action adventure, 'Paiyya'. Expect action-packed scenes in this movie as well.

Boy O’ Boy! The movie is an action journey no doubt! At no frame of the movie, will anyone feel bored or tired. Karthi has got a hat-trick of success with ‘Paiyaa’, after his ‘Paruthi Veeran’ and ‘Aayirathil Oruvan’.

Right from the titling of the movie, you will slowly realize this movie is not going to be just another action flick! The unique introduction of the movie’s title itself conveys the substance of the movie.

The movie starts off in Bangalore, with Karthi (Shiva) who lives with his friends who try to get him a job desperately. Karthi is a guy who is easy on life and has a ‘thennavatu’ attitude On one such occasion of a job hunt, Karthi spots Tamannah (Charulatha) while getting down the bus and falls for her instantly.

Well, we all have grown up seeing such scenes, in fact in Lingusamy’s ‘Run’ itself, when Maddy sees Meera Jasmine, and falls for her at the bus stand, and déjà vu - the same spot- Bus stop!

The hero goes to the railway station to pick a friend who owns a car that Karthi and his friends drive. While waiting for his friend to arrive, Karthi sees the terribly tensed Tamannah with her uncle, who mistake Karthi to be a cab driver and ask him to drop them at Chennai.

Accepting the travel, Karthi takes off in the black Mitsubishi Lancer along with his guests. When they pause for refueling, Tamannah asks Karthi to buzz off leaving her uncle behind. From here starts the real road trip of 'Paiyya' in full throttle.

On Tamannah's request, Karthi sets off to Mumbai, and with a fight scene on their way, Karthi reveals his connection with Mumbai. He goes in to rewind mode and reminds himself of the villain (Milind Soman).

On their journey, they encounter people, new locations and the hero and heroine get along well. The car is their home as long as the journey happens.

The interval block is centred with an amazing fight sequence. The different angles of the camera capture the thrashing stunts, and Anthony’s sharp cuts stimulate the fight sequence for that wild action.

Karthi and Tamannah have acted to the director’s demand. Their performance is absolutely great and director Lingusamy has got the best of them. Tamannah who is mostly in the rear seat, has acted decently for the scope given to her. All the villains have done their part with out flaws, while Milind Soman as ‘Bali’ has acted well, he was underused.

This movie is everything about the team, comprising of Mathi, the cinematographer, Anthony the editor, Yuvan Shankar Raja, the music director, Brinda Sarathy the dialogue writer, the Stunt Director Kanal Kannan, Art by Rajeevan.

Being a road movie, most of the action is in the car or rather on the road! Considering the hardships involved, the camera work is immaculate. The action scenes with cars all over, and car chases in the movie would have definitely been a toll on the director and the cinematographer. Editing the different versions of the camera, Anthony has done an incredible job. ‘Paiyaa’ definitely has got the best of Anthony out.

The car sequences on Indian Highways and the backdrops have been beautifully captured. Dialogues weaved in between are subtle and natural. Nothing too cinematic or too dramatic! Funny dialogue delivery of Karthi makes the audience laugh most of the time.

Art work by Rajeevan is enduring and simply attractive. From the car seats to the sets of the song 'Suthude Suthude', the man has shown his tastes, given the restricted scope for art in the ‘road movie’.

Karthi and Tamannah look fresh, in their attire as well as their looks. Priya Manikandan, the costume designer has seemingly done an impressive job.